with my most appealing expression.
I took two more snaps of the front of the house with her standing in the doorway. As we walked inside, I hoped Mr. Holmes had made good use of the precious seconds alone I had bought him.
âBack so soon?â he said. âShow me what happens on séance night.â
âI welcome them at the door and ask them to take off their footwear. After that they are requested to put their coats and purses in the closet.â
She pointed.
âThen I lead them into the visitation room.â
The word sounded like it referred to a reviewal area in a funeral parlor. Most appropriate, somehow.
Holmes was already in the séance room. Our hostess walked to a table just inside the door. An Edison phonograph with a wind-up handle came to life playing a scratchy version of Wagnerâs overture to Parzival.
Unexpected, but certainly better than Chopinâs Funeral March . The mood changed from frightening to dramatic. Baker definitely wanted his victims to know who was in charge.
âWe leave the lights off until Mr. Baker makes his appearance. Guests sit around the table facing his chair at the rear.â
Though dimly lit, there was enough light from the hallway that I could see the chairs. âMay I take a picture, please?â
âCertainly.â
The room exploded in light, and it took several seconds before I could see again. I could hardly believe I would make such a stupid rookie mistake to not close my eyes.
âThe article in the News says Mr. Baker makes his appearance by coming through the wall,â Holmes said. âWhich one?â
She walked to the one at the right. âHe enters dressed in a red silk Persian tunic and trousers and hands a rose to everyone in attendance.â
Holmes continued. âWhere does he come from?â
âI donât know. It really isnât any of my business.â
âPerhaps he was in the garden picking the roses. Thereâs nothing on the other side of this wall but the outside of the building.â
She shrugged.
âIâd like a shot of the wall,â I said. âI know our readers will want to see where he appears.â
âGo right ahead. Mr. Baker wonât mind.â
This time I closed my eyes.
âWhere are you whilst the séance is in progress?â Mr. Holmes asked.
âSitting at the table next to Mr. Baker. I ask Sidney the guestsâ questions.â
âInteresting. Why is that?â
âI have to read them to him. The only ones who speak during the session are Sidney and me.â
âIs it true Sidneyâs voice comes from Mr. Bakerâs stomach?â
âYes. Itâs quite frightening, though Sidney is always very polite and cares very much for the ones who have come to visit him.â
âHow does he come onto the scene?â
âMr. Baker calls him, then he goes into a trance.â
âI see this is an oak floor,â added Mr. Holmes. âTen foot long sections, Iâd say.â
âYes. This is a very old house. One of the first in the township. Mr. Baker inherited it from his parents.â
âDoes it have a basement?â
âIf so, Iâm not aware of it.â
Mr. Holmes threw her a sharp-eyed look. âWas Mr. Baker invited to Harry Houdiniâs performance on Halloween eve?â
âI donât know. I do know he didnât have a séance that evening.â
âAre you having one tonight?â
âYes. We always start just after dark.â
âYouâve been most helpful. I do wish I could have spoken to your employer in person, but you have answered all my questions admirably. Thank you, Miss . . . I donât believe I heard your name.â
âVan Dyke. Myrtle Van Dyke. I live in the village.â
Â
She stood on the porch and waved as I backed around to return to the highway. I was anxious to hear Mr. Holmesâs findings, but he told me to wait with my
M. R. James, Darryl Jones