played wasnât bluegrass. He did play it eventually, when it became popular, but not this, not his early stuff.â
She shook her head. âHow do you know all of this?â
I smiled. âSeveral reasons. One, our dadâs a musician, and I was just interested. When I was growing up, I discovered Dadâs recordings of Grandpa. Grandpa could play a breakdown better than anybody Iâve ever heard. When I started hosting the music festivals here in New Kassel, I began reading up on it more.â
âWow, I had no idea,â she said. âSo, where did Grandpa learn to play?â
âWell.â I sighed. âI was always told that his father, Nate, played but that Grandpa and his sister both learned to play from their neighbors who lived down by the creek bed. The Morgan family.â
âWho were they, exactly?â
âWell, they were a fairly famous musical family. At least in this area,â I said. âThey had recording deals and everything. There was even a petition going around to change the name of Progress, Missouri, to Morganville back in the thirties, but it didnât pass.â
Her eyes grew large. âAnd youâre telling me that Grandpa learned to play from them?â
âWell, according to this recording, it seems as though he actually wrote some of their material, too.â I typed in the name of another song that was now playing on the CD, a sadder song about the ghost of girl who lived in the meadow and wore daisies in her hair. That song, too, was credited to Scott Morgan. By the time the CD was over, an hour had passed, and in some form or another, my grandpa had claimed to have written at least nine songs that I had Googled and found Scott Morgan taking credit for. âBut nobody ever knew.â
âIs that what Glen Morgan wanted to tell you?â she asked.
âNo, actually,â I said. I glanced at the clock. âWe need to reopen the museum.â
She walked with me as I went to the front door and flipped the sign to OPEN . I turned to her then. âHe claims that our grandpa was actually the son of his grandpaâScott Morgan.â
âWhat?â she asked. Her gaze searched my face, trying to read my feelings about the whole mess. âIs that possible?â
I shrugged. âWell, sure, Stephanie. Anything like that can happen. I mean, youâre a good example.â
Something flickered in her eyes, and immediately I knew Iâd said the wrong thing.
âI didnât mean it like that.â
She turned away and headed back to the office.
âSteph,â I called out after her. âStephanie.â
When I caught with her, I grabbed her arm and swung her around in one motion. She wasnât crying, but the look of hurt was heavy in her eyes. âYou know I love you,â I said. âYou know our whole family accepts you. I didnât mean any disrespect by what I said. You know my mouth just opens and out fly ridiculous, often thoughtless things. I just meant that of course these things can happen. Thatâs all I meant. Please donât be offended.â
I often felt like I walked on eggshells around Stephanie. Not because she was supersensitive or melodramatic, or prone to tantrums, but because it had taken me thirty-something years to be given the gift of my one and only sister and I was afraid that at any moment sheâd realize what a screwed-up family we were and leave. I mean, it wasnât as if she had to associate with us.
âItâs just thatâ¦â she began.
âWhat?â I asked.
âI donât know, maybe I expect too much.â
âWhat? Stephanie, you canât expect too much from me. Thereâs nothing I wouldnât give you. You know that,â I said.
âI know,â she said. âItâs not you. Itâs everybody else, like that Glen Morgan guy. I am John Robertâs granddaughter, too, but he wouldnât speak to me at