the two heavy policemen ambled forward. The sad-faced younger man deferred to the slightly older man with the bad leg. Yuri was intrigued by the older man, but he showed nothing.
âYou are Yuri Pashkov?â Zelach asked.
âI am well aware of who I am,â the old man said, looking away at the fascinating spectacle of the factory.
âWould you rather have this conversation at the police station?â Zelach said, stepping onto the porch. Yuri shrugged and looked up at the man.
âYou want to carry me to police headquarters, carry me,â the old man said.
âYour tongue will get you in trouble,â Zelach warned, falling back on the threats of his trade.
âHa,â Yuri cackled. âIâm eighty-five years old. What have you to threaten me with? My family is gone. This shack is a piece of shit. Threaten. Go ahead. Threaten.â
Rostnikov stepped up on the small porch into the slight shade from the wooden slats above.
âWhat kind of factory have you here?â he said.
âVests.â
Rostnikov glanced at the old man in the chair. The lines on his face were amazingly deep and leathery.
âVests?â Rostnikov asked, sensing the manâs favorite subject.
âVests,â the old man said, pausing to spit into the dirt near Zelach, who stepped back. âWe used to farm around here, and now they have us working in a factory, and what do we make in that factory?â
âVests,â said Rostnikov.
âExactly,â said Yuri, recognizing a kindred spirit. âWhat dignity is there in a manâs life when he has spent it sewing buttons on vests to be worn by Hungarians or Italians.â
âNone,â Rostnikov agreed.
âNone,â Yuri said. âAnd so they make vests without heart, spirit, need. You know what kind of vests they make?â
âVests of poor quality,â Rostnikov guessed, glancing at Zelach, who clearly ached to shake the old rag of a man into a cooperation that would never come.
âVests of paper, toilet paper, vests not fit to wipe oneâs ass with,â the old man said with venom, spit forming on his mouth, eyes turned always toward the factory.
âIt wasnât always like this,â Rostnikov said softly.
âThere were times,â the old man said.
âLong ago,â Rostnikov agreed.
âLong ago,â Yuri agreed.
âI understand you remember a man named Abraham Savitskaya who was here a long time ago,â Rostnikov said, not looking at the man.
âI donât remember.â
Zelach stepped forward, whipped the photograph from his pocket, and thrust it in front of the wrinkled face.
âThat,â said Zelach, âis you. And that is Savitskaya.â
âAnd you are Comrade Shit,â the old man said sweetly.
âZelach,â Rostnikov said firmly before the sweating, weary policeman could crush the dry old man. âWalk back to the police station, arrange for a car to get us to the station in time to catch the next train.â
Zelachâs face displayed a rush of thought: first the consideration of defiance and then its quick suppression, followed by petulance, and finally resignation.
When Zelach had gone, Rostnikov leaned against the wall and said nothing.
âWhat happened to your leg?â
âBattle of Rostov,â Yuri said. âI still have poison gas in my lungs. I can taste it when I belch.â
They watched the factory a while longer before the old man spoke again.
âSome didnât stay around to face the troubles, the Germans, the Revolution.â
âSome?â Rostnikov tried gently.
âSavitskaya,â he said. âSavitskaya and Mikhail.â
âMikhail?â
âMikhail Posniky,â the old man said. âAfter the first Revolution, they fled.â
âMikhail Posniky is the third man in the photograph?â
Yuri shrugged, the closest he would come to cooperation.
âWhat
Kevin J. Anderson, Rebecca Moesta
Traci Andrighetti, Elizabeth Ashby
James Leck, Yasemine Uçar, Marie Bartholomew, Danielle Mulhall