slippers for routine stuff like this, so he went about the business for which he had been trained and which most of us would find too ghastly to contemplate, alone and talking into a mike that was suspended from the ceiling.
âWell-nourished male,â Astley mumbled, knowing thatDonald could translate his mutterings into coherent English for the report later. âAge ⦠mid-forties.â He mechanically checked the knees, the shins and the elbows for childhood scars. Nothing. Perhaps Alan Whiting had been a fastidious child. Perhaps Mr and Mrs Whiting had kept their little boy in a glass bubble. The world of a forensic pathologist was littered with the word âperhapsâ.
For a brief moment, Jim Astley and Alan Whiting held hands. The nails were good, clean and trimmed, the fingers strangers to manual work. No scars even here, no signs of slippage with the hedge trimmer, no careless swing with a hammer which chipped the nail and coarsened the skin. Alan Whiting had been a paper pusher all his life. There was a discoloration around the cuticles that Astley recognized, chemical staining. At some point, the dead man had had access to a chemistry set and over a period of time, well, well, well ⦠join the club; the man was a scientist.
Astley had scraped the dried blood from the manâs chest. His shirt, bow tie and other clothing were with Henry Hallâs people now, going through the third degree as all objects from a crime scene did. All that remained now to tell the world how he died was a small black hole in the mid line of his body.
âIncision measuring four milimetres through the ster-no-cleido mastoid,â he tilted the dead manâs head, âexiting through the trapezium to the right of the mid line. So,â he dropped the head back and straightened up, adjusting the dangling mike as he went, âmy guess at this stage â and weâll do the surgery tomorrow, Mr Hall, if itâs all the same to you, is that the murder weapon is a sharp-pointed, dull-sided narrow blade which passed through the ster-no-hyoid above or below the third vertebra. Resistance would have been slight if the blow missed the bone and the impact would have carried the head backwards if â¦â he checked the papers alongside him, âas the notes contend , Mr Whiting was pinned by said weapon to his chair. Fibres on his hair will confirm that.â
Astley switched off the mike and looked down at the placid face of the dead man, his head supported by the pads. âNeat but not neat enough. Professional, but amateur . Youâre a mass of contradictions, arenât you, Chief Inspector?â
And in that chill, stainless steel room as another summerâs day died around him, even Jim Astley wasnât sure whether he was talking about Alan Whiting or Henry Hall.
Chapter Four
âThatâs enormously hurtful, you know.â Peter Maxwell was talking to Jacquie Carpenter on her front doorstep in Sandcroft Way as darkness came down over Leighford.
âWhat is?â She kissed him and took one of the takeaway bags.
âWhat you just did,â he told her. âLooking round to see if anyone noticed my arriving. Youâre ashamed of me, arenât you? Arenât you?â He was screaming now. âItâs because Iâm so old, isnât it? So decrepit. Thatâs what all this is about.â
She kissed him again, giggling and pushing him back in the doorway and draping herself over him, grinding her hips against his. Then she pulled back. âYou,â and she batted him on the nose with a prawn cracker, âare just a dirty old man.â
He winked at her. âWorks every time, doesnât it?â
She led him through into her kitchen, opening cupboards and clattering crockery as she went. The sun gilded her spice rack and her assorted whisks. âAnyway,â she said. âWhereâs your key?â
âAh.â His face
Michelle Rowen, Morgan Rhodes