had been relegated to the inside pages of the New York newspaper, and was struggling to cling to the front page of the L.A. journal, but it wasnât going to go away, he knew. The moment a fragment of new information surfaced, there would be headlines again.
He showered, shaved, dressed, and walked into the house, carrying his briefcase. He retrieved the documents from the secret compartment of Vanceâs desk and put them into his briefcase, then he rang for Manolo. âIâd like to use one of the Caldersâ cars,â he told the butler.
âOf course, Mr. Barrington, right this way.â He led Stone to a door that opened into the garage, which had enough room for six cars, but held only four: a Bentley Arnage; two Mercedes SL600s, one black and one white; and a Mercedes station wagon. âThe nanny and I use the station wagon for household errands, unless youâd like it,â Manolo said.
The Bentley was too much, Stone thought. âNo, Iâll take one of the other Mercedesâthe black one, I suppose. That was Mr. Calderâs, wasnât it?â
âYes, sir. The white one is Mrs. Calderâs. Youâll find the keys in the car.â
Stone had used the black convertible once before, when in L.A., and he recalled that it did not have vanity plates, so it would not be immediately recognized by the media. In fact, he reckoned, a black Mercedes convertible would, in Beverly Hills and Bel-Air, be a practically anonymous car. He backed out of the garage, drove around the house and, using his remote, let himself out of the utility gate and onto the street beyond. He checked to be sure that he was not followed, then drove to Centurion Studios.
The guard was momentarily confused to see Vance Calderâs car arrive with a different driver, but when Stone gave his name, he was immediately issued with a studio pass.
âThe one on the windshield will get this car in,â the guard said. âUse the other pass, if you drive a different car.â
âCan you direct me to Mr. Calderâs bungalow, please?â The guard gave him directions, and five minutes later, he had parked in Vanceâs reserved parking spot. The bungalow was just that; it looked like one of the older, smaller Beverly Hills houses below Wilshire. Stone walked through the front door into a living room.
A panel in the wall slid open, and Betty Southard stuck her head through the opening. âI knew youâd turn up,â she said. She left her office, walked into the living room and gave him a big hug and a kiss. âIâm glad to see you again,â she said.
âIâm glad to see you, too; Iâm going to need a lot of your help.â
âLou Regenstein called and said youâd be using Vanceâs office.â She waved him into a panelled study, much the same as the one at the house, but larger, with a conference table at one end. âMake yourself at home,â she said. âThe phones are straightforward; you can make your own calls, or Iâll place them for you, depending on whether you want to impress somebody.â
âThank you, Betty,â Stone said, placing his briefcase on the desk. âI have some personal news for you; have you seen Vanceâs will?â
âNot the new one; he made that recently, and he hadnât brought a copy to the office.â
âYouâre a beneficiary,â Stone said. âHe left you a million dollars.â
Bettyâs jaw dropped, and a hand went to her mouth. âI think Iâd better sit down,â she said, and she did, taking a chair by the desk. Stone sat down behind it. âYou didnât know?â
âI hadnât a clue,â she said. âI mean, I suppose I would have expected something after fifteen years with himâI joined him at twelve, you know,â she said archly.
Stone laughed. âNow youâre a rich woman; what are you going to do?â
Betty
Lorraine Massey, Michele Bender