kissed, a real kiss, with a lot of feeling behind it.
The book surprised me. âA cookbook?â
âBetter than fictionâevery recipe has a happy ending.â
âWant me to cook something before we go?â I asked.
âVanity dictates a flat stomach.â
âI understand. But I see tequila in your future. Or champagne. Youâll want a base. Yogurt, at the very least.â
âHow about ⦠stir-fry?â
âGood. Iâll make it.â
âThanks,â Blair said. âOne favor.â
âYes?â
âNo garlic.â
In the cab, we rode in silence, far apart, staring blankly ahead, thoughtful.
âWe must look like the couple in that American Gothic painting,â I said, as we started the long drive downtown. âAll we need is the pitchfork.â
âPlease. We are hip New Yorkers.â
âNot that hip,â I said. âWe could still bail. Go home, pull a movie.â
Blair shook her head.
âWhy not?â I asked.
âYouâve got a script, donât you?â
âExcuse me?â
âPositions. Sequences. Who does what.â
âSo?â
âSo letâs do this.â
âDo you have a script?â I asked.
âNo. But I donât want to spend the rest of my life hearing about the fun we missed.â
âYou really see fun ahead?â
âWhat I know of your fantasiesâand by now I think Iâve heard them allâtheyâre vanilla. So I donât see harm . And I think Jean is â¦â
Blair searched for the right word. âHarmless?â I suggested.
âCool,â she said.
Well, that was a surprise. But not one that registered. I was thinking ahead, to the dance of bodies. And to an agreement Iâd failed to make explicit. I waited until the cab reached Tribeca to mention it.
âWhen I need to come, I want to be in you.â
âOkay.â
âDonât ⦠wander off.â
We got out on Greenwich, a few blocks from Jeanâs loft. On this warm Saturday night, the young were everywhereâfilling the sidewalk café in front of Locanda Verde, smoking outside De Niroâs hotel. They were groomed. Expensively underdressed. They wore scents that broadcast self-confidence. And discretionary money. Hard to look at these kids and not feel jealous. Also: old.
We turned onto Laight Street, a movie set of old warehouses converted to condos and new condos designed to look like they were once warehouses. Iâd imagined Jean living in a loft like the ones I knew when I was in law school and one of my girlfriends lived down hereâwood floors that were a minefield of splinters, exposed water pipes, clawfoot bathtub and noisy plumbing. But there was no modestly improved industrial space left in Tribeca.
I was forced to readjust; Jean had money.
And not just someâmore than we have.
From an open window, party sounds emerged. And music: âAlmost Saturday Night,â written, sung, and produced by John Fogerty, who labored over his breakthrough songs, he said, because he didnât want to go back to working at the car wash. And here he was, party music for the privileged.
It had been years since we danced. I grabbed Blair and held her close. Then she broke away, and for a few seconds, she found the beat and went with it. Iâd almost forgotten how hot Blair was when she moved.
I pressed Jeanâs bell.
Chapter 16
A massive photo in the lobby. Not Jeanâs. Sheâd never shoot such sentimental chlorophyll: Central Park, three miles and several cultures north, in full summer.
The elevator. Holding hands with Blair. Nervous smiles.
Jeanâs building, for all its pin lighting and polished brick, was venerable in one respect. One loft per floor, so when the elevator opens, you step right into the living space.
We did.
And found ourselves alone.
The living area was vast, big enough for an energetic game of floor hockey.