Free Alyx - Joanna Russ by Unknown Author Page A

moment both stood silent, listening to the baby’s all-but-soundless breathing and the rustling of the nurse’s sheets. Then he said, "Woman, your life is in my hands.”
    “Is it?” said she.
    “I  want your obedience!”
    “Oh no,” she said softly, “I know what you want. You want importance because you have none; you want to swallow up another soul. You want to make me fear you and I think you can succeed, but I think also that I can teach you the difference between fear and respect. Shall I?”
    “Take care!” he gasped.
    “Why?” she said. “Lest you kill me?”
    “There are other ways,” he said, and he drew himself up, but here the picklock spat in his face. He let out a strangled wheeze and lurched backwards, stumbling against the curtains. Behind her Alyx heard a faint cry; she whirled about to see the governor’s nurse sitting up in bed, her eyes wide open.
    “Madam, quietly, quietly,” said Alyx, “for God’s sake!”
    The governor’s nurse opened her mouth.
    “I have done no harm,” said Alyx passionately, “I swear it!” But the governor’s nurse took a breath with the clear intention to scream, a hearty, healthy, full-bodied scream like the sort picklocks hear in nightmares. In the second of the governor’s nurse’s shuddering inhalation—in that split second that would mean unmentionably unpleasant things for Alyx, as Ourdh was not a kind city—Alyx considered launching herself at the woman, but the cradle was between. It would be too late. The house would be roused in twenty seconds. She could never make it to a door—or a window—not even to the garden, where the governor’s hounds could drag down a stranger in two steps. All these thoughts flashed through the picklock’s mind as she saw the governor’s nurse inhale with that familiar, hideous violence; her knife was still in her hand; with the smooth simplicity of habit it slid through her fingers and sped across the room to bury itself in the governor’s nurse’s neck, just above the collarbone in that tender hollow Ourdhian poets love to sing. The woman’s open-mouthed expression froze on her face; with an “uh!” of surprise she fell forward, her arms hanging limp over the edge of the couch. A noise came from her throat. The knife had opened a major pulse, and in the blood’s slow, powerful, rhythmic tides across sheet and slippers and floor Alyx could discern a horrid similarity to the posture and appearance of the black slave. One was hers, one was the fat man’s. She turned and hurried through the curtains into the anteroom, only noting that the soldier blindfolded and bound in the corner had managed patiently to work loose the thongs around two of his fingers with his teeth. He must have been at it all this time. Outside in the hall the darkness of the house was as undisturbed as if the nursery were that very Well of Peace whence the gods first drew (as the saying is) the dawn and the color—but nothing else—for the eyes of women. On the wall someone had written in faintly shining stuff, like snail-slime, the single word Fever.
    But the fat man was gone.
    Her man was raving and laughing on the floor when she got home. She could not control him—she could only sit with her hands over her face and shudder—so at length she locked him in and gave the key to the old woman who owned the house, saying, “My husband drinks too much. He was perfectly sober when I left earlier this evening and now look at him. Don’t let him out.”
    Then she stood stock-still for a moment, trembling and thinking: of the fat man’s distaste for walking, of his wheezing, his breathlessness, of his vanity that surely would have led him to show her any magic vehicle he had that took him to whatever he called home. He must have walked. She had seen him go out the north gate a hundred times.
    She began to run.
     
    To the south Ourdh is built above marshes that will engulf anyone or anything unwary enough to try to cross them, but