habits, I guess. Itâs still the first thing I do when I come home. I can, just, tell the difference, if I stare straight at it.â
âI dreamt about Rob last night,â Patrick said and Naomi understood what this was all about.
âYou often dream about Rob,â Harry said gently.
Patrick sounded shocked. âHow do you know?â
âSometimes, you call out his name.â
Naomi could feel Patrickâs shock at this exposure. She wondered what she should say.
âLook, I think Iâd like to go home now,â Patrick got in first. âSee you on Monday, Naomi. If thatâs OK?â
âOf course.â She heard him get up again and cross the room to the corner where heâd dumped his bag and coat.
Harry got up to follow his son. He bent down to kiss Naomi on the cheek.
âGo slowly,â she breathed. âDonât push it, Harry.â
She felt him nod, then the footsteps across the room, the door close, the front door slam.
Did she still dream? Oh yes. Panicked dreams where she searched in vain for her friend Helen. Dreams in which she was a child again, lost and confused and very, very scared. Sometimes the dream child would wander into the armed siege. The child in Naomi crying with fear as the shots rang out and the menâs voices were raised in threat and anger, and the worse thing was, she didnât even need to be sleeping for the dreams to come.
âYou want to talk about it?â Harry asked. He reached to switch on the radio. Experience had told him that distraction, such as listening to music, could make it easier for his son to relax.
âNot really, thanks anyway.â Patrick was trying hard to sound mature and off hand.
âOK, then,â Harry told him. Experience had also told him, and Naomi reminded him, that pushing too hard was likely to have the opposite to the desired effect. âWell, Iâm here. Naomiâs always ready to listen too, you know that. And thereâs your counsellor.â
âHer,â Patrick snorted. âDad, I donât know why you keep paying for her. All she does is sits me down and waits for me to âopen upâ to her. Like thatâs going to happen.â
âShe seems pleased with your progress,â Harry said mildly.
âOh, sure she is. Sheâs pleased with the money you keep paying her, whether she does any good or not.â
âOr whether you turn up or not?â
âWhether I â¦â Patrick sighed and reached to change the channel on the radio.
To Harryâs surprise, he settled on a station playing jazz. Harry listened, trying to place the piece. âWhat is that?â the question was self-addressed, but his son answered.
âItâs Miles Davis,â he said. ââAngel Eyesâ. Itâs on that compilation Nan bought you for your birthday.â
âOh yes, so it is. I didnât know you liked it.â He turned to glance at his son.
Patrick shrugged. He was staring hard out of the side window. Harry could see his reflection in the shadowed glass. The face, tight and pinched. Emotion dangerously close to the surface. âI like all sorts of stuff, you know that.â
âWell, yes. I suppose you do.â
They listened in a silence that was almost companionable, then when the last notes of âAngel Eyesâ tailed away Patrick asked, âDo you think you could kill someone?â
Harry flinched at the question. Asked for a description of Harry, most people would use words like âmild manneredâ or âeven temperedâ, but ⦠âYes,â he said. âI believe I could. If someone threatened those I love, I believe I could take their life, or maim or injure and not even hesitate.â
He half felt, half heard his son release the breath he had been holding and wondered at the cost of asking that question. It saddened him. He and Patrick had once been able to discuss anything,