Free Work Song by Ivan Doig Page A

about timid natures in Butte.
     
     
    THE EDUCATION OF MORRIS MORGAN had a new chapter waiting the next day. It began in the Reading Room, where I was poring over the subscription list with Smithers, the young librarian on the periodicals desk, to see how we might squeeze more magazines into the budget we had. I felt a tap on the shoulder and turned around to an angular woman dressed in old-fashioned style, gray and gaunt as a duchess in a Goya etching. “You are the person,” she enunciated to me so loudly and clearly that every head in the room snapped up from reading, “in charge of evening groups, I believe? I wish to speak with you.”
    I looked hopefully toward the mezzanine, but for once, Sandison was not on hand to roar “Quiet!” at the offender. Peculiar characters are drawn to a library like bees to a flower garden, so I turned to this one with the most authoritative air I could, and, indicating I was nearly finished with what I was at, murmured, “If you’ll wait in the foyer, ma’am, I’ll be with you in just a minute.”
    “Hsst!” The warning hiss from Smithers came a little late. In an ingratiating tone, he was saying: “How are you today, Mrs. Sandison? ”
    “Ah. Actually, we can finish this later,” I told Smithers, and quickly ushered the visiting personage into the mineralogy section, the nearest room not in use.
    Now that we had privacy, Dora Sandison paused to study me, which did not take her long. Even her eyes were gray, and they were the sort that did not miss a trick. She was as tall as her husband, and acted taller. I had heard the library staff refer to the Sandisons as the grandee and the grandora, and could understand why. “I regret taking you away from your other task,” she said, her expression indicating nothing of the sort. “However, the evening group of which I am a member has a most pressing need.”
    “I’m sorry to hear that,” I responded warily, trying to imagine which of the clubs that met in the basement auditorium would attract such a personality. The Theosophists, to unravel the mysteries of the Divinity? The League of Nations supporters, to correct the habits of governments?
    She surprised me with a conspiratorial smile. “We require music stands.”
    “Music—? ”
    “The Gilbert and Sullivan Libretto Study Group is not provided with music stands, if you can believe that.”
    “I see.” A sense of caution grew in me. “Surely this is the kind of request that your husband has dealt with, up until now?”
    “Oh, horsefeathers,” she brushed away my concern. “You know how Sandy is about such things.”
    Now I really did see. I could just about recite what Sandison’s response to a request solely on behalf of Gilbert and Sullivan aficionados would have been. “Don’t they have hands? Holding a piece of sheet music in front of their noses shouldn’t strain them too much.”
    “My husband, bless his soul,” she went on in a confiding tone, “sometimes carries matters too far. He takes the ridiculous view that answering the needs of a group I coincidentally am a member of would constitute preferential treatment, can you imagine?”
    I chuckled nervously. “There is the point, Mrs. Sandison, that no other group has seen the need for such, um, equipment.”
    She snorted, very much like Sandison himself. “That is their failing rather than ours, then,” she instructed me with a glint in her eye that wouldn’t be argued with. “We sorely lack such equipment, as you call it, to hold our libretto sheets when the member whose turn it is takes our group through the intricacies of the lyrics of the chosen operetta. For example, ‘ Strike the concertina’s melancholy string! Blow the spirit-stirring harp like anything! Let the piano’s martial blast rouse the echoes of the past! ’ ” During this demonstration she waved her arms in my face as vigorously as a semaphore flagger.
    She paused and caught her breath. “You can surely understand,” she