desire in her to do so. She must trust the leader at all times and the leader must deal with her reality and he should adjust his movements for her.â
âI thought it was a macho dance.â
âNo. This is why you have much to learn.â
âFabulous.â Sheâd spent the day alternating between false bravado and pure panic about dancing tango again.
âYou will learn.â He smiled, giving her confidence. âThe follower must surrender oneâs need for self-preservation and allow the leader to take control.â
âSo it is a macho dance! And that contradicts what you said before.â
âTango, like loveââ
âIs complicated. Got it, but know this, I will only follow the male because it is a dance, not real life. I have not, nor will I ever, let a man tell me what to do. Women have their own brains and we can survive quite well without men if we choose.â She wanted to add a childish âSo thereâ, but resisted.
âYou have finished with your ladiesâ freedom speech, yes? Or shall I wait for you to get it out of your system? Remember, we have not got all the night.â
âIâm done.â For now .
âVenting is cathartic, no? But please refrain from doing this when I am teaching.â He cleared his throat again. âIt is important for the leader to make sure the follower feels safe because if she does not, she will not reach a state of meditation and this would be very sad.â
âAre you talking about a Tango Nirvana?â
âYes. It is called entrega and is the Holy Grail of tango. It is a Holy Trinity, in fact. It is when two dancers meld perfectly into one and their moves and souls are entwined with the music, they create a moment of magic. Of course, it cannot last forever, but once it is glimpsed, the dancers search for it with desperation. Unfortunately, most never find it again.â
âIt sounds like youâre talking about love.â
âLove?â His eyebrows shot so high they nearly collided with his hairline. âPfft. Daniela, please do not get us distracted. The next rule of tango is about discretion. Yes, there is passion but it is a conversation between the man and woman. It is not an open discussion for the world to see.â
âNo groping on the dance floor, eh?â
âWhat is this âgropingâ?â
âWhen someone feelsâOh, never mind. Okay, closed conversation. Got it.â
He rubbed his thumb and forefinger against his chin. âWe move on to the next ruleâyour expression. You must be serious and your face should convey the power of the emotions of the dance. No smiling.â
âI need to know all this before we get on the dance floor?â
âThere is moreââ
âI am sorry for my absence.â A slight sheen of perspiration shone on Gualbertoâs forehead. âIt is good to meet with old friends, no?â
âYes, it is,â she said.
âEnough chit-chatting. You cannot be a wall flower,â said Carlos, nudging her leg with his cane. âYou have questions you want to ask, sà ? Time to get busy.â
âHas the theory part finished? Are you going to teach me some real moves?â So I donât get done for assault and battery?
âMy leg, it hurts tonight. Gualberto will show you. I have taught him everything he knows.â
His cousin grinned and shrugged his shoulders. A small wave of relief swept over Dani. Even though she hadnât yet danced with Carlos, she got the distinct impression it would not be a walk in the park. More than likely itâd be a crawl across broken glass.
âRightio.â She stood and held out her hand to Gualberto, who remained seated. âWhat? Youâve changed your mind?â
âSit.â Carlos grumbled.
âWhy?â She placed fists on her hips.
âSit down,â he said with more force.
âDonât use that tone with
Sheri Whitefeather, Dixie Browning