Free Dead Like You by Peter James

one, a little Mazda MX-2 sports car roared past them in the outside lane, way too fast.
    ‘Is the driver effing blind?’ Tony Omotoso said.
    Drivers usually braked when they saw a police patrol car, and not many dared to pass a police car, even when it was being driven at several miles per hour under the limit. The Mazda driver had either stolen it, was a headcase or had simply not seen them. It was pretty hard not to see them, even in the gloom, with the luminous Battenberg markings and POLICE in high-visibility lettering covering every panel of the car.
    The tail lights were rapidly pulling away into the distance.
    Omotoso floored the accelerator. Upperton leaned forward, switched on the flashing lights, siren and onboard speed camera, then tugged on his shoulder strap, to take the slack out of it. His colleague’s pursuit-driving always made him nervous.
    They caught up with the Mazda rapidly, clocking it at 75 mph before it slowed going down the dip towards the roundabout. Then, to their astonishment, it accelerated away again, hard, as it left the roundabout. The ANPR fixed to the dashboard, which automatically read all number plates in front of it and fed the information into the government-licensing computer, remained silent, indicating that the car had not been reported stolen and that its paperwork was in order.
    This time the speed camera dial showed 81 mph.
    ‘Time for a chat,’ said Upperton.
    Omotoso accelerated directly behind the Mazda, flashing his headlights. This was a moment when they always wondered whether a car would try to do a runner, or be sensible and stop.
    Brake lights came on sharply. The left-hand indicator began winking, then the car pulled over. From the silhouette they could see through the rear window, there appeared to be just one occupant, a female driver. She was looking over her shoulder anxiously at them.
    Upperton switched the siren off, left the blue lights flashing and switched on the emergency red hazard flashers. Then he got out of the car and, pushing against the wind, walked around to the driver’s door, keeping a wary eye out for cars coming along the road behind them.
    The woman wound down the window part-way and peered out at him nervously. She was in her early forties, he guessed, with a mass of frizzed hair around a rather severe, but not unattractive, face. Her lipstick seemed to have been put on clumsily and her mascara had run, as if she had been crying.
    ‘I’m sorry, Officer,’ she said, her voice sounding edgy and slurred. ‘I think I might have been going a bit fast.’
    Upperton knelt to get as close to her face as possible, in order to smell her breath. But he didn’t need to. If he’d lit a match at this moment, flames would have probably shot out of her mouth. There was also a strong smell of cigarette smoke in the car.
    ‘Got bad eyesight, have you, madam?’
    ‘No – er – no. I had my eyes tested quite recently. My vision’s near perfect.’
    ‘So you always overtake police cars at high speed, do you?’
    ‘Oh, bugger, did I? I didn’t see you! I’m sorry. I’ve just had a row with my ex-husband – we’ve got a business together, you see. And I—’
    ‘Have you been drinking, madam?’
    ‘Just a glass of wine – at lunchtime. Just one small glass.’
    It smelt more like she’d drunk an entire bottle of brandy to him.
    ‘Could you switch your engine off, madam, and step out of the car. I’m going to ask you to take a breath test.’
    ‘You’re not going to book me, are you, Officer?’ She slurred even more than before now. ‘You see – I need the car for my business. I’ve already got some points on my licence.’
    No surprise there, he thought.
    She unclipped her seat belt, then clambered out. Upperton had to put his arm out to stop her staggering further into the road. It was unnecessary to get her to blow into the machine, he thought. All he needed to do was hold it within a twenty-yard radius and the reading would go off