shook her head. "I donât remember. I never remember. Sometimes just for a second I hear screams in my head, and then thatâs it. I wake up feeling a terrifying panic."
"Are the screams female?"
A flicker of doubt sparked in her eyes. "I think so. I never thought about it. But, yes, I believe theyâre female screams."
"Are you sure last nightâs screams werenât real? If something happened to Erica you might have heard her cry out. Her cabin isnât that far away."
"Iâm certain it wasnât Erica I heard. The screams were in my head, along with..." She stopped talking. "Along with a lot of other crap, nothing that concerns you."
"Iâm not so sure about that." He looked back at the picture. Tilting his head, he considered the lines that seemed to stand out, depending on the angle and the light. "Itâs a face, isnât it?"
"I donât want to talk about it or analyze it," she said quickly.
"Tough, I do. Answer the question."
She frowned, obviously annoyed by the order, but after a moment she said, "I think itâs a face, but Iâm surprised you can see it."
"Who is it?"
"I donât know."
"I think you do." He gave the portrait several more minutes of consideration, feeling something tickling the back of his brain, some tiny detail that he recognized but couldnât quite figure out. And then it hit him -- what appeared to be a tiny gold cross in the center of the chaos of colors. "Erica wore a cross on a necklace," he said, pointing to the tiny gold lines. "I remember thinking that it was an odd choice for a woman who didnât seem to be the religious type." He gazed at Catherine and saw the answer in her eyes. "This is Erica, isnât it?"
"It could be, I guess."
His pulse began to race. "Youâre not guessing at all. You know itâs her."
"I think it is," she admitted. "But usually I donât recognize the faces that I paint. Theyâre strangers. Theyâre not people Iâve ever seen, or if I saw them I didnât notice them. But they all feel like theyâre calling out to me. As if theyâre afraid and Iâm the only one who can save them. But how can I save them when I donât know who they are?"
He heard the despair in her voice, and even though he didnât completely understand what she was saying, he could see that she was very disturbed by the fact that she couldnât seem to make her visions or her dreams work to help anyone. "This might be your breakthrough. If itâs Erica, then you can help her."
"I donât know."
"Donât doubt yourself."
"I canât help it. Iâve been living with these nightmares for a long time. I donât want to be this way, you know. All my life I just wanted to be normal. But thatâs not going to happen. So most of the time I try not to look too closely at anything."
"And does that work for you?"
She made a face at him. "Obviously not. Well, let me rephrase that. It works in the daylight, but at night, when my subconscious takes over, I have no control. Iâm just along for the ride."
"That must make for some exciting nights."
"That I donât remember in the morning. All Iâm left with is another gruesome picture."
"No one is completely normal, Catherine. Everyone is a little crazy. Trust me; I know. Iâve covered a lot of crazies in my life. On the scale of nutty, youâre not so bad."
"Youâre just trying to make me feel better."
"Iâm trying to make you see that just because you paint your nightmares doesnât mean that youâre out of your mind."
"The only difference is that I think my nightmares might be real... actually happening in the world. Itâs difficult to explain, but sometimes I feel like Iâm inside the head of someone who is really... evil. It scares the hell out of me. For a long time I was afraid that I was sleepwalking, that I was leaving the house and killing people in my dreams. When I was