Them or Us

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Authors: David Moody
compassion here.
    I fetch water from the bathtub upstairs (I collect it in buckets, pots, and jars out back), then block the window to hide the light from the flame and start it boiling on the little stove. The constant hiss of the burning gas is welcome, taking the faintest edge off the otherwise all-consuming silence. I try to warm my hands around the light blue flame, but it doesn’t have any effect tonight.
    The kettle boils, and I make my coffee. I’m about to start locking everything away again when I have to stop, my stomach suddenly cramping and my mouth watering. I unlock the door again, struggling to free the chains and get it open in time, then run outside, lean over next-door’s low fence, and finally say good-bye to a gut-full of the semicooked dog from earlier. Vomit splatters noisily over the drive of the house next to mine and steam rises from the puddle. For a couple of minutes I just stand still and breathe the ice-cold air in deeply. Soaked with sweat and feeling worryingly unsteady on my feet, I wipe my mouth on my sleeve and stagger back indoors.
    My coffee’s gone cold by the time I’ve pulled myself together again and locked everything away, but it’s still strong and bitter enough to disguise the bilious aftertaste of puke. I take my drink through to the living room, put it on the little table I use, and then, still standing up, I zip myself into my sleeping bag. I jump and shuffle around to get to my chair, then collapse into it, pathetically out of breath.
    I keep a pile of books by the side of the chair, taller than the table my coffee’s resting on. Books are one of the few things that can still be found relatively easily, although they’re used to fuel fires more than to fuel minds these days. I have a light on an elastic headband like a miner’s lamp (I found it on a body in an Unchanged shelter a while back). I switch it on and pick up the book on top of the pile. I study the cover, and I can’t help laughing to myself when I think how my tastes have changed. I’d never have read anything like this in the days before the war—not that I ever used to read much anyway, but this … this is the kind of book bored pensioners used to read, the kind of book that used to sell by the bucketload and appealed to lonely, dowdy, middle-aged spinsters, dreaming of the moment they knew would probably never come, when their knight in shining armor would arrive to whisk them away from their dull, mundane, and loveless lives. It’s a trashy thriller-cum-romance novel, probably written by a machine that just slotted character names and other variables into a predefined template, but I don’t care. As clichéd and far-fetched as it seems, these books have become something of a release. Reading them is all I want to do when I’m alone like this. It’s how I escape from the pressures of this increasingly fucked-up world. These books help me to forget where I am and who I am and what I have to deal with each day. They help me forget the things I’ve done. They almost make me feel human again. I revel in the insignificant details. The far-fetched action set pieces leave me cold. It’s little things that get to me: descriptions of people eating, talking, traveling … living together. Those fleeting moments of normality we never used to think about. Those banal moments of calm during which we caught our breath as our lives lurched from one trivial problem to the next pointless crisis.
    I start reading from where I got to last night, pausing only to look again at the beautiful woman on the painted front cover. Something about the shape of her face reminds me of the Unchanged woman I killed in the shelter earlier today. She was my first kill in weeks. I didn’t want to do it, didn’t have the same burning desire I used to, but I knew I didn’t have any choice, either. It was for the best. She’d have suffered more if I’d let her live.
    I’ve just got to the part in the book where the female lead

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