My Mistress's Sparrow Is Dead

Free My Mistress's Sparrow Is Dead by Jeffrey Eugenides

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Authors: Jeffrey Eugenides
Tags: Romance, Contemporary, Adult, Anthologies
ourselves think and do when we forget the higher goals of being and our human dignity.
Some man came up—it must have been a watchman—looked at them, and went away. And this detail seemed such a mysterious thing, and also beautiful. The steamer from Feodosia could be seen approaching in the glow of the early dawn, its lights out.
“There’s dew on the grass,” said Anna Sergeevna after a silence.
“Yes. It’s time to go home.”
They went back to town.
After that they met on the embankment every noon, had lunch together, dined, strolled, admired the sea. She complained that she slept poorly and that her heart beat anxiously, kept asking the same questions, troubled now by jealousy, now by fear that he did not respect her enough. And often on the square or in the garden, when there was no one near them, he would suddenly draw her to him and kiss her passionately. Their complete idleness, those kisses in broad daylight, with a furtive look around and the fear that someone might see them, the heat, the smell of the sea, and the constant flashing before their eyes of idle, smartly dressed, well-fed people, seemed to transform him; he repeatedly told Anna Sergeevna how beautiful she was, and how seductive, was impatiently passionate, never left her side, while she often brooded and kept asking him to admit that he did not respect her, did not love her at all, and saw in her only a trite woman. Late almost every evening they went somewhere out of town, to Oreanda or the cascade; these outings were successful, their impressions each time were beautiful, majestic.
They were expecting her husband to arrive. But a letter came from him in which he said that his eyes hurt and begged his wife to come home quickly. Anna Sergeevna began to hurry.
“It’s good that I’m leaving,” she said to Gurov. “It’s fate itself.”
She went by carriage, and he accompanied her. They drove for a whole day. When she had taken her seat in the express train and the second bell had rung, she said:
“Let me have one more look at you . . . One more look. There.”
She did not cry, but was sad, as if ill, and her face trembled.
“I’ll think of you . . . remember you,” she said. “God be with you. Don’t think ill of me. We’re saying good-bye forever, it must be so, because we should never have met. Well, God be with you.”
The train left quickly, its lights soon disappeared, and a moment later the noise could no longer be heard, as if everything were conspiring on purpose to put a speedy end to this sweet oblivion, this madness. And, left alone on the platform and gazing into the dark distance, Gurov listened to the chirring of the grasshoppers and the hum of the telegraph wires with a feeling as if he had just woken up. And he thought that now there was one more affair or adventure in his life, and it, too, was now over, and all that was left was the memory . . . He was touched, saddened, and felt some slight remorse; this young woman whom he was never to see again had not been happy with him; he had been affectionate with her, and sincere, but all the same, in his treatment of her, in his tone and caresses, there had been a slight shade of mockery, the somewhat coarse arrogance of a happy man, who was, moreover, almost twice her age. She had all the while called him kind, extraordinary, lofty; obviously, he had appeared to her not as he was in reality, and therefore he had involuntarily deceived her . . .
Here at the station there was already a breath of autumn, the wind was cool.
“It’s time I headed north, too,” thought Gurov, leaving the platform. “High time!”
     

III
At home in Moscow everything was already wintry, the stoves were heated, and in the morning, when the children were getting ready for school and drinking their tea, it was dark, and the nanny would light a lamp for a short time. The frosts had already set in. When the first snow falls, on the first day of riding in sleighs, it is pleasant to see the white

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