they might get what they want,â Mrs. Johnson says. âFor now. Trust meâno one on this post is going to want to be reminded about that orphanage. Not right now.â
âI canât quit.â
Duty, honor, country.
Dad wouldnât want me to give up because of violence. Thatâs what people do when theyâre not tough enough. When they let things knock them off track and lose sight of what they believe in. Right? Heâs right, isnât he?
Mrs. Johnsonâs cheek twitches, and she snaps the lid back on the stroganoff. âFlags are half-mast on post. You ought to give it a rest.â
âIs that an order?â
âJessââ
But I plug in my earbuds. Iâm no longer listening to her.
Eleven
I SHOWER AND change clothes. Mrs. Johnson left a note saying she and Cara have gone for ice cream, and sheâll bring me a cone.
A peace offering?
I scribble out a note that Iâm at the PX.
When I get there, the whole place is crowded. People stream in and out. Little kids and high schoolers congregate at the far end of the complex near the rec center. On the far end, thereâs also a basketball court.
The tableâs still in the hallway. Empty cups and candy wrappers have been left on top, so I clean it off. Then I unlock the closet and get our supplies. First I cover the table with the cloth and Mrs. Scottâs baskets. I flatten out the wrinkles in the blue linen with my palms and sort the snacks the way Meriwether would have. Potato chips and pretzels in separate baskets.
Everythingâs out, except for the sodas. When I finally prop the poster of Warda on the metal frame, it wobbles. I hold my breath, ease it over until it balances. Then I wipe my palms on my shorts.
I take one of the extra posters and tape it to the sliding glass doors in front of the PX. To make sure everyone sees it.
A soldier walking into the building detours around me. He frowns. Whether at me or the poster Iâm not sure. I press harder on the glass, getting the edges of the poster smooth. Trying to get the air bubbles out from underneath the tape.
Behind me, I hear voices at the table. A man in uniform says to a woman with him, âThatâs Master Sergeant Westmark in that photo.â They study the picture. âWe ought to be giving money for
him.
â
Maybe Iâm wrong to be here.
But I canât forget about the orphanage. Itâs why we were here. Why Dad was there when the bomb went off.
The woman lays the poster on the table.
âCome on, honey.â She touches the manâs arm.
I force myself to smile. Stepping closer, I make myself speak up. âCan I tell you anything about the orphanage?â
The woman blushes, but she doesnât put the poster back where it belongs.
âI just donât think we should play on peopleâs emotions right now. To earn money for charity, or for anything else. Itâs like those animal-shelter adsâthey try to break your heart.â The woman folds her arms.
âItâs not the orphansâ fault. Since the bombing, they need us more than ever.â
The womanâs cheeks go a deeper red. âIâm sure they need lots of things. Things we canât do for them. But what about our own soldiers? How about this Master Sergeant Westmark? Heâs gravely wounded in Germany.â
âYes, he is,â I hear myself say.
âWe should focus on him.â She twists the wedding band on her hand.
âYes, well, heâs my dad. I think heâd want me to continue.â Dad never gives up. When he and Mom wanted to have children and they couldnât, they looked into adoption. Dad said it took them years to find a child, the right child.
If theyâd given up, I wouldnât be here.
The womanâs face drains of color. âIâmâIâm sorry,â she says, and walks away, weaving her way between people coming from the PX with piled-high grocery