me. âWhatâs his name?â
I look back at her, determined not to give it away, but I can see from her expression Iâve already lost. âDrew.â I say it so softly that I can barely hear myself speak, but I can tell by the look on Janineâs face that the name reached her just fine.
Sue sits up straighter in her chair. âAnd heâs someone you met recently?â
âYes. He knows my sister. And I saw him at a party the other night. He keeps trying to tell me that we were together in England in the sixteenth century.â I look at Janine. âThe same lifetime where I met Griffon.â
Iâm almost rewarded by the fact that Janine looks surprised. âSo what does Drew want from you?â
âHe said it was fate that weâre together now. I could tell he was hurt that I didnât believe him. I was married to someone named Connor . . . before . . . and I remember parts of it. I have a strong memory of him being taken away by the kingâs soldiers. Something about treason. I think it was just after that that he was killed.â
âAnd youâre sure of these memories?â Sue asks. âThis Drew person isnât imposing his memories on you?â
âIâm sure.â I pull the ankh out of my shirt, the dark red ruby in the center almost glowing, despite the fact that weâre inside under fluorescent lights. âI remember Connor giving me this back then. Griffon returned it to me after all this time.â
Sue gets up and takes a step toward me. âMay I see that up close?â
I nod, and she lifts the ankh up, examining the front and the back. âThis is definitely from that time period.â
âHe had it made for me. I remember him saying that in a memory I had early on.â
Sue looks at Janine and then back to me. âIf he had an ankh made for you in the sixteenth century, then that means Connor was probably Akhet back then. Itâs not a common symbol for that time, at least not in England. He must be Iawi.â She sits back in her chair and looks at the two of us. âHow did the ankh end up with Griffon?â
I hesitate, but donât see any reason not to tell her the truth. âHeâd gotten it as payment. For executing me.â
She looks confused. âAn Akhet executioner? I canât imagine.â
âHe wasnât Akhet then,â I say quickly. âHe was forced into it. And when he became Akhet in the seventeenth century, he spent most of a lifetime tracking down the family heirlooms that had been given to him so that he could hopefully return them one day.â
Sue nods. âInteresting form of penance,â she says thoughtfully.
âSo you said this boyâs name was Drew?â Janine continues. âHow old is he in this lifetime? What does he look like?â
I close my eyes, trying to focus on the details and not the whole package. Because Iâm not attracted to him, no matter how he thinks our past lives connected. No matter what I felt for Connor back then. âTwentysomething, I think. Tall, blond hair and blue eyes. With an accent. Heâs from Australia originally and does jewelry design for the shop where Kat works.â
Janine looks thoughtful. âHmm. He may be Iawi, but heâs not Sekhem. I didnât even know anyone like that was nearby.â
âKhered?â Sue asks Janine.
âMust be,â Janine nods.
âWhatâs Khered?â It seems like every day thereâs some new mysterious word theyâre throwing around.
âKhered are like children,â Sue explains, a hint of disdain in her voice. âTheyâre Akhet, usually newer Akhet, who donât want the responsibility of the knowledge and abilities that come to us over our lifetimes. They spend their time looking for personal gratificationâfame, money, parties, drinking. Mostly frivolous activities. They generally shun the Sekhem and all we stand
Christopher Hodder-Williams