stared at him because sheâd never seen him without his confidence and easy grace.
âThree invitations,â she called to the chauffeur who returned with three envelopes.
Reiko handed the envelopes to Christie. Black, Gothic writing snaked across the crimson paper: Fata. âThe autumn revel has a Shakespeare theme this year. Welcome to Fair Hollow, Serafina Sullivan.â
She walked back to the Mercedes. As she slid in, Phouka winked at them before getting behind the wheel.
Christie and Finn watched the Mercedes crunch back down the road. He said, âFinn . . . are you paranoid? Because I know Iâm not, but I kind of feel . . .â
Gazing after the Mercedes, Finn tasted bitterness, as if sheâd eaten one of those venomous red toadstools beneath her window. âLike this was planned?â
âSo. Youâre paranoid too . . . Iâm going. You?â
She felt a fizzy whisper across her skin as she remembered Jack Fata. âI wouldnât miss it.â
FINN HAD FOUND A JOB over the weekend, at BrambleBerry Books, which was owned by a friend of her gran Rose. At six oâclock that night, the shopâs three resident cats watched Finn as she was taught how to use the register and the phone. Later, the owner, Mrs. Browning, worked in the office while Finn explored the store, admiring the old paintings hung on the walls, and the front window display, which was a screen of black metal shaped into fairies. She selected an interesting-looking book on American history and sat behind the counter to read it. Early American History was her first class tomorrow, and it was taught by intimidating and model-sleek Professor Avaline.
When she heard a horn blare, she looked out the window and saw a red Mercedes halt in front of the building across the street. The narrow building, made of dark stone, had black-shuttered windows and child-faced gargoyles crouched on the roof. A girl in a white chauffeurâs uniform slid from the car, auburn hair rippling from beneath her cap. She sauntered to the driverâs side and opened the door and Reiko Fata emerged, her black hair looped into plaits, strappy sandals, and a slip dress of wine-red silk emphasizing her long legs. She seemed oblivious to the chill air.
A second figure slid from the MercedesâJack Fata, who straightened the cuffs of his black blazer before leaning to say something to Reiko. Together, they sauntered toward the building. The doors opened, then closed behind them. The chauffeur remained, leaning against the Mercedes and lighting up a cigarette.
Finn couldnât figure out why Jack Fata fascinated her. He moved like a martial arts star and dressed like a modern-day Victorian gentleman, and those were interestingly eccentric qualities, but sheâd only spoken to him once, and she couldnât figure out that look in his eyes when their gazes had first met . . . mischief that had become a shrewd assessment that had darkened to confusion. Maybe the familiarity sheâd felt was because sheâd seen him somewhere else. In a magazine maybe, or a film . . .
A battered Corvette pulled up to the curb, and a silver-haired boy hopped out of it, followed by two girls in gauzy gowns. Once again, the buildingâs doors opened and closed. Music now pulsed from behind the stone walls, and red light simmered beneath the black shutters.
Finn forgot about the book in her lap.
The bell over the door chimed and Finn saw Christie enter, his red hair sticking out in tufts from beneath his woolen hat. âHey. Iâm done. How about you?â
She thought then about how Christie, with his pack of brothers and his interest in Shakespeare and Greek literature, was reassuringly familiar, because heâd reminded her of the boy sheâd left in San Francisco, Alex Mckee. Thatâs why she liked him, and she wouldnât ruin this friendship with a kiss. She set aside her book.