street. Have you ever noticed him?â
He vaguely remembered seeing an old man sitting cross-legged on a table, who spent the whole day sewing. He had a long, dirty beard. His fingers were dirty from handling fabric.
âWhen I was living in Vienna with my mother ⦠I told you she was a famous concert pianist? Yes ⦠But before that, things were hard. When I was little, we were poor. We lived in a single room ⦠Oh, not as nice as this, since there was no kitchen, no refrigerator, no bathroom. There wasnât even running water, and we had to wash in a sink at the end of the hallwayâI canât tell you how cold it was in winter.
âWhat was I saying? Oh, yes ⦠When I was sick and had to stay home from school, I used to look out the window all day, and right across the street was an old Jewish tailor who looked so much like that one that for a moment I thought he was the same man.â
Combe said lightly, âMaybe he is.â
âIdiot! Heâd be a hundred at least. But donât you think itâs a funny coincidence? Iâm going to be in a good mood all day.â
âYou needed something to put you in a good mood?â
âNo ⦠But I feel like a little girl again. I even feel like making fun of you. I made fun of everyone, you know, when I was young.â
âWhat have I done for you to make fun of me?â
âCan I ask you something?â
âGo ahead.â
âWhy are there at least eight dressing gowns in your closet? I know I probably shouldnât ask. But itâs pretty unusual for a manââ
âFor a man who has so many dressing gowns to live in a place like this, thatâs what you mean? Thereâs a simple answer really. Iâm an actor.â
Why was he embarrassed heâd said it, and why had he avoided her eyes? All day the two of them were circumspect. They sat at the table with the breakfast leftovers on it. The limit of their vision was the window across the street where the tailor with his rabbinical beard sat sewing.
It was the first time they werenât surrounded by a crowd, the first time, in a way, that they were really face-to-face, just the two of them, without a jukebox or whiskey to fuel their intimacy.
Kay wasnât wearing lipstick. Her face looked softer, and there was a touch of shyness or fear in it. The change was so striking that her eternal cigarette didnât quite fit.
âAre you disappointed?â
âThat youâre an actor? Why should I be disappointed?â
But she seemed sad. And he knew why without having to talk. They both knew.
If an actor his age was living in Greenwich Village like this â¦
âItâs a lot more complicated than you think,â he sighed.
âI wasnât thinking anything, darling.â
âI was well-known in Paris. You could say I was famous.â
âI have to admit, I donât remember your last name. You told me once, that first night, remember? I was embarrassed and I didnât want to ask again.â
âFrançois Combe. I used to play at the Théâtre de la Madeleine, at the Michodière, at the Gymnase. Iâve toured all over Europe and in South America. Iâve also starred in a number of movies. Only eight months ago, I was offered a contractââ
She forced herself not to show pity, not to wound him.
âItâs not what you think,â he went on hastily. âI could go back anytime I want.â
She poured him a fresh cup of coffee. Her gesture was so natural he was surprised. The unexpected intimacy seemed miraculous.
âItâs very simple and very silly. I might as well tell you. Everyone in Paris knows about it, and it was all over the papers. My wife was an actress, too, a famous actress. Marie Clairois.â
âI know that name.â
She was sorry sheâd said it, but it was too late. She recognized his wifeâs name but not
Teresa Toten, Eric Walters