egg.â
Arielâs eyes had narrowed. âI didnât find it in the house. I suppose one of the servants may haveâ¦â She trailed off.
âShe might have hidden it,â suggested the theater manager. âWasnât something youâd just leave lying about, believe me.â
Ariel nodded. âBess and the earl wereâ¦?â
âHe seemed mad about herâas they all were. And she was leading him a merry dance.â
Ariel nodded again, as if this were what she had expected to hear.
Alan remained silent, having been suddenly struck by the notion that he would no doubt be expected to approach the earl, an irascible man thirty years his senior, and attempt to interview him about the death of his mistress. He was having no difficulty, unfortunately, picturing the scene.
âWeâll talk to the others,â Ariel was saying. âIf you should remember anything elseâ¦â
Balfour shook his head. âNothing to remember,â he replied. When she started to speak again, he waved a hand. âIâll try, Iâll try.â
âThank you.â She smiled at him, and the manager gave her a wry look in return.
They returned to the dusty corridor and followed it until it took a sharp turn into another, which clearly stretched across the back of the entire building. A series of doors opened off it, and a number of voices could be heard. âYou should let me talk to the actors,â said Ariel.
âI beg your pardon?â
âYouâre likely to upset them,â she explained. âYou did Cyrus, and actors will require an even more delicate touch.â
âI am capable of questioning all sorts of people,â declared Alan. âMy ability to get to the heart of a matter and elicit the facts has been much admired.â
âBut we want much more than the facts.â
âMore? There is nothing âmore.ââ
âOf course there is. Just let me take the lead,â said Ariel.
âAnd ask nothing about the events at Carlton House, as you did with Balfour?â He shook his head. âI think not. That is why I am here, and I shall certainly question everyone about it.â
âIt is only because of me that you have the opportunity,â she answered. âAnd I think you might be a little moreââ
A head appeared at one of the open doorways along the corridor. âHullo?â
âMr. Padgett,â said Ariel, sweeping forward to greet the man. âItâs Ariel Harding.â
The head cocked, then the rest of the figure appearedâa tall, muscular fellow, Alan observed, with a magnificent profile and a leonine mane of pure white hair. His face was handsomely craggy and showed few signs of age, though he must be past fifty.
âLittle Ariel?â boomed the newcomer. His voice was deep and resonant, clearly trained to reach the farthest balconies. âMy brave and tricksy spirit?â he continued. ââThou shalt have the air at freedom.ââ
Ariel stood straighter and clasped her hands in front of her like a child making a recitation. ââFull fathom five thy father lies,ââ she intoned. ââOf his bones are coral made / Those are pearls that were his eyes / Nothing of him that doth fade / But doth suffer a sea-change / Into something rich and strange.ââ
âYou havenât forgotten! Good, good.â The older man turned to Alan as if they had been acquainted for years. âI taught her the whole part of Ariel when she was eight years old. I thought it might go over wellâa child as the magicianâs helper, you know. We were going to suspend her from a cord and let her fly across the stage. Even had the wings made.â
â How I wanted to do it!â declared Ariel.
âPluck up the backbone, you were,â agreed Padgett. âBut Bess didnât like the idea, so it came to nothing in the end.â He looked
Jake Devlin, (with Bonnie Springs)