eighties.â
MARIE Â Â Â Â Get over yourself.
JESS Â Â Â Â I did.
MARIE Â Â Â Â Where did I read that?
JESS Â Â Â Â
New York
magazine.
HARRY Â Â Â Â Sally writes for
New York
magazine.
MARIE     Do you know, that piece had a real impact on me. I donât know that much about writing, but â¦
JESS Â Â Â Â Look, it spoke to you, and that pleases me.
MARIE Â Â Â Â It had a wonderful, uniqueâis the word âstyleâ?
JESS Â Â Â Â If you say thatâs the word, thatâs the word.
MARIE     I ⦠I mean ⦠I really have to admire people who can be as ⦠as ⦠articulate â¦
JESS Â Â Â Â Nobodyâs ever quoted me back to me before.
CUT TO:
EXT. WEST BROADWAYâNIGHT
Harry, Jess, Marie, and Sally are walking up the avenue, all four of them in a row, ad-libbing about the meal and what a nice night it is. They walk past a shoe store, and Marie suddenly yanks Sally over
.
MARIE     Oooo, Iâve been looking for a red suede pump.   Â
(beat)
    What do you think of Jess?
The two men keep walking
.
SALLY     Well, uh â¦
MARIE Â Â Â Â
(interrupting)
    Do you think you could go out with him?
SALLY     I donât know â¦
MARIE Â Â Â Â âbecause I feel really comfortable with him.
SALLY Â Â Â Â You want to go out with Jess?
MARIE Â Â Â Â If itâs all right with you.
SALLY Â Â Â Â Sure. Sure. Iâm just worried about Harry. Heâs very sensitive, heâs going through a rough period, and I just donât want you to reject him right now.
MARIE Â Â Â Â I wouldnât. I totally understand.
SALLY Â Â Â Â Okay.
EXT. WEST BROADWAYâNIGHT
Harry and Jess apparently in the midst of an identical conversation. Theyâre stopped in front of a running-equipment store
.
JESS Â Â Â Â If you donât think youâre going to call Marie, do you mind if I call her?
HARRY Â Â Â Â No.
JESS Â Â Â Â Good, good.
HARRY     But for tonight you shouldnât ⦠I mean, Sallyâs very vulnerable right now. I mean, you can call Marie, itâs fine, but just, like, wait a week or so, you know? Donât make any moves tonight.
JESS Â Â Â Â Fine. No problem. I wasnât even thinking about tonight.
The women join them
.
JESS Â Â Â Â ( CONTâD )Â Â Â Â Well.
(beat)
I donât feel like walking anymore, I think Iâll get a cab.
MARIE Â Â Â Â Iâll go with you.
JESS Â Â Â Â Great.
(he leaps into the street as he spots a cab)
Taxi!
The cab SCREECHES to a halt, and Jess and Marie get into it and it pulls away, leaving Sally and Harry on the curb
.
FADE OUT .
FADE IN:
DOCUMENTARY FOOTAGE
Another OLDER COUPLE, both Asian, sitting together on the love seat
.
ASIAN MAN Â Â Â Â A man came to me and said, âI found nice girl for you. She lives in the next village, and she is ready for marriage.â We were not supposed tomeet until the wedding. But I wanted to make sure, so I sneaked into her village and hid behind a tree and watched her wash the clothes. I think, if I donât like the way she looks, I donât marry her. But she looked really nice to me. So I said okay to the man, we get married. We are married for fifty-five years.
FADE OUT .
FADE IN:
EXT. THE SHARPER IMAGEâDAYâESTABLISHING
INT. THE SHARPER IMAGEâDAY
One of those places with gifts for people who have everything. Harry and Sally are browsing through. He shoots a basketball into a mini-sized hoop
.
HARRY Â Â Â Â I have to get this, I have to.
SALLY Â Â Â Â Harry, weâre here for Jess and Marie.
HARRY Â Â Â Â I know weâll find them something, thereâs great stuff here.
SALLY
Sidney Sheldon, Tilly Bagshawe