Trust me, she looked weird. Her legs looked heavy. Really, she must be retaining water.
SALLY Â Â Â Â Harry.
HARRY Â Â Â Â Believe me, the woman saved everything.
CUT TO :
EXT. PLANT SHOPâDAY
Sally is paying for a plant. Harry is just staring blankly into a ficus. Sally approaches
.
SALLY Â Â Â Â You sure youâre okay?
HARRY Â Â Â Â Oh, Iâm fine. Look, it had to happen at some point. In a city of eight million people youâre bound to run into your ex-wife. So, boom, it happened. And now Iâm fine.
CUT TO :
INT. JESS AND MARIEâS APARTMENTâDAY
A nice West Side floor-through with a beautiful fireplace and a great deal of furnitureâabout twice as much furniture as is necessary, as a matter of fact
.
Marie and Jess in sneakers, jeans, baggy shirts, are clearly in the middle of some sort of dispute. Harry is still distracted. There are a few unpacked boxesâsome books, a couple of ashtrays, a glass, etc
.
JESS Â Â Â Â It works. I like it. It says home to me.
MARIE Â Â Â Â
(to Jess)
    Okay, okay, weâll let Harry and Sally be the judge.   Â
(to Sally and Harry)
    What do
you
think?
Marie points to a large wagon wheel thatâs been made into a coffee table with a round plate of glass over it
.
Harry looks at Jess, whoâs glaring at him
.
HARRY Â Â Â Â Itâs nice.
JESS Â Â Â Â Case closed.
Jess smiles, victorious
MARIE Â Â Â Â Of course he likes it. Heâs a guy. Sally?
Sally crinkles up her nose
.
JESS Â Â Â Â Whatâs so awful about it?
MARIE Â Â Â Â Itâs so awful thereâs no way even to begin to explain what is so awful about it.
JESS Â Â Â Â Honey, I donât object to any of
your
things.
MARIE     If we had an extra room, we could put all your things in it, including your bar stools, and â¦
JESS Â Â Â Â Wait, wait, honey, honey, wait, wait. You donât like my bar stools?
Marie looks at him. Of course she doesnât
like his bar stools
.
Jess turns to Harry for help
.
Harry, we now see, has wandered away and stands by the window and heâs staring out like a forlorn figure in a Magritte painting
.
JESS Â Â Â Â Harry, come on.
(beat)
Someone has to be on my side.
No response from Harry
.
MARIE Â Â Â Â Iâm on your side. Iâm just trying to help you have good taste.
JESS Â Â Â Â I have good taste.
MARIE Â Â Â Â Everybody thinks they have good taste and a sense of humor, but they couldnât possibly all.
Harry stands up, looks around the room
.
HARRY Â Â Â Â You know, itâs funnyâwe started out like this, Helen and I. We had blank walls. We hung things. We picked out tiles together. Then you know what happens? Six years later you find yourself singing âSurrey with the Fringe on Topâ in front of Ira.
SALLY Â Â Â Â Do we have to talk about this right now?
HARRY Â Â Â Â Yes, I think that right now is actually the perfect time to talk about this, because I want our friends to benefit from the wisdom of my experience.
(heâs becoming more and more upset)
Right now everything is great. Everyone is happy. Everyone is in love. And thatâs wonderful. But you gotta know that sooner or later youâre gonna be screaming at each other about whoâs gonna get this dish.
(he picks up a cracked ashtray)
This eight-dollar dish will cost you a thousand dollars in phone calls to the legal firm of âThatâs mine, this is yours.â
SALLY Â Â Â Â Harryâ
HARRY Â Â Â Â
(to Sally)
    Please.
(to Jess and Marie)
Jess, Marie, do me a favor. For your own good.
Put your name in your books
. Right now. Before they get mixed up and you donât know whose is whose. Because someday, believe it or not, youâll go fifteen