bad.
âThereâs more,â Lorna said, breaking the long silence. âCheck your messages.â
Harriet stepped out of her office as I passed; her English complexion had lost the peaches and was all cream. She regarded me without a word. I went into my room and shut the door. The light on my phone was blinking and the counter showed six messages. I hit PLAY .
âJo, itâs Marty. My God, I canât believe it. Steven Spielberg? Call meâthis is unbelievableâwe have to celebrate!â
The next one was hard to make out because of the crying. âItâs Edwina. Jo, you canât imagine what this means to me. Iâd pretty much given up hope. God bless you, Jo.â
I couldnât listen to any more. My head was pounding and there was an ominous churning in my gut. Except for a ringing phone, quickly stilled, the silence outside my door was deafening. Now I knew the shape of this disaster, but I didnât yet know its scope; indeed I felt unequal to knowing.
I am a coward. I admit it. When the ER doctor came out to tell me about Hugo, heâd hesitated for a moment before speaking. That momentary pause and the look in his eyes revealed all; yet he, determined to break the news gently, listed all the steps theyâd taken to save my husband before admitting they had failed. And I let him stall. That is the point: I let him. I even interrupted with a cogent-sounding question or two, because I couldnât bear to hear the words I knew were coming.
Now the message light blinked on and on, and I buried my face in my hands. Iâm not sure how long I would have stayed like that if my secretary hadnât come in. She stood before my desk until I was forced to look up.
Lorna is not an expressive girl. Molly once said, unkindly but accurately, that she has as much affect as her computer. But I hardly knew her now. Her back was straight, sallow cheeks pink with indignation, bovine eyes gleaming behind their glasses.
âHow are you?â she asked.
âBad. But not as bad as my poor clients are going to be.â
She came around to my side of the desk, and for one awful moment I thought she was going to embrace me. Instead, she opened the bottom drawer where I keep a bottle of Johnnie Walker and a couple of shot glasses for celebrations. She filled one glass to the rim and placed it in my hand.
âLorna, itâs not even noon.â
âYouâve had a shock.â
I downed half the shot in a gulp and felt its warmth spread through my body. That felt good, so I finished it off. Liquid courage. Thereâs a reason clichés become clichés.
âSit,â I said to Lorna, still hovering about me. âDid you listen to the messages?â
She took the clientâs seat and glanced at the blinking light on my phone. âYou didnât?â
âJust the first few. Whatâs happened, Lorna? Can you explain it to me?â
âE-mails,â she said. âSent over the weekend. Each with some kind of offer, apparently. Each signed by you.â
âHow? Someone hacked into our e-mail?â
âI donât know. They werenât sent from any of our e-mail accounts. I checked everyoneâs sent mail.â
âHave we seen any of these e-mails?â
âNot the ones our clients got. I couldnât ask them to forward them without saying more than I thought I should. But thereâs one addressed to you, too. Check your personal inbox.â
I grabbed the mouse and logged into my e-mail account. There were a dozen new messages. I scrolled down the list of senders until I came to one named âJDonovan.â
âThat one,â Lorna said, startling me. She was behind me now, looking over my shoulder.
I opened the e-mail. âCan you hear me now?â it said. No salutation, and no signature; but in my head I heard the words in Sam Spadeâs voice.
I looked longingly at the Leibovitz portrait of Hugo on the
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