to be there when it happens. So I camp outside her office. I sleep there overnight. Well, sleep is an exaggeration. Occasionally I slip into a hallucinogenic coma in which I hear ghosts of Academy students past prowling the corridors.
I am brushing my teeth when Ethan happens past. âExcellent. Sit here for a minute? I havenât been to the toilet since â well, that ainât apple juice.â I indicate a bottle of yellow coloured juice behind me (which actually is apple juice, but Ethan doesnât need to know that).
âYou know youâre not camping out for tickets?â
I look around. âThis isnât the line to see Gaga?â
âMiss Raine wonât respond to a stunt. She needs to know youâre serious this time.â
He disappears down the corridor. I am tired and cranky and I really am busting. I donât appreciate the brotherly lecture.
âFine, walk away. But my bladder infection is on your conscience!â
But I agree that it might be time to take another approach.
Â
I enlist Sammy. We charge into Miss Raineâs office. Sammy hands over a petition, while I state my case to be allowed to audition â dancing Odette from Swan Lake while I do so for good measure.
âReason number one: the applicant feels deep, demonstrable regret over her previous lackadaisical attitude.â
âYes, of course Lady Charlton. You have my undivided attention,â Miss Raine says into the phone, then covers the mouthpiece and hisses, âGet out. Now.â I dance on, desperate to get my point across.
âReason number two: the applicant has now clocked hours of professional dance employment.â
âAnd only been fired once,â Sammy adds helpfully.
âTwice,â I interject, remembering the chicken costume.
âReferences.â Sammy produces several sheets of paper and hands them to Miss Raine.
âThis is ridiculous,â snaps Miss Raine. And then, into the phone, she says, âNo, not you Lady Charlton. I was talking to a ⦠a bird thatâs flown into my office.â She looks meaningfully at me. âYes, itâs a rather large bird. Thank you.â
She ends the call and glares at me.
I stop dancing. âReason number three: the applicant is desperate.â
âEvidently.â But my instinct was right. I can feel her will to repel me diminishing.
She sighs. âThere are auditions next week for the Junior School. You can come in then. As a favour to your parents.â
Sammy grins at me. Miss Raine looks me up and down.
âAlthough judging from that display of technique, I wouldnât get your hopes up.â
Â
I stand in the middle of the dark studio, looking up at the ceiling. Taraâs busy rehearsing her piece for the Prix, Sammy is practising for his exams. So Iâm here alone, and Iâm supposed to be preparing. But suddenly I feel overwhelmed.
âIâm not sure standing still qualifies as training.â
I turn around. Christian, in stealth mode, takes me by surprise.
âI was visualising.â
He raises an eyebrow. âHowâd that go?â
âMade me hungry.â
âCome on,â he says. âLetâs get you warmed up.â
âYou donât have to â â
âI know,â he says simply.
I steady myself at the barre , and start practising my battement fondus . Christian stands in front of me, watching every move.
âIâm sure youâve got better things to do.â
âRemember the elastic band,â Christian instructs gently. âBoth legs need to reach maximum stretch at the same time.â
âYouâre good at this. Teaching.â
âDonât try to distract me. Youâre sickling. Here.â Christian adjusts my foot. I pretend he has no effect on me, though my heart races at his proximity. I continue the exercises and turn to face the barre . Christian puts his hands on my shoulders,