his e-mail. There was a long message from his old friend Osnat. Secretly he hated her a little. When a girl like that hangs around a man like me, he knew well, saying she thinks Iâm sweet, it means she doesnât actually think of me as male. If she respected me a little, it would cross her mind that her behavior ought to be driving me insane. Doesnât it occur to her that calling a man at six in the morning to cry about some fucked-up love affair is a tease? Why does she dress like that?
Osnat wrote, Thanks for putting me in touch with Coppolaâs people. Iâm helping them scout locations. Call me when you get into town. Yigal, I hope youâre taking care of yourselfâplease play safe. . . .
This motherly tone, Yigal thought, makes me sick. He wrote: What Coppolaâs people? I forget things, you know. I may be coming home soon. Amsterdam always makes me miss the sunshine. I donât think Iâve been outdoors in a week. Iâll call you.
Itâs true what she said about scouting locationsâOsnat was taking Mary to every café in town. I went with them to Café Tamar. They sat talking for two hours while four young men, all with open notebooks, eavesdropped. I sat down with one and he froze like a rabbit.
âAre you a poet?â I asked.
âIâm a rapper, an MC,â he said in a wee, soft voice. âI can work better in a place like this. It helps me to let the rhymes flow.â He crossed his legs, above the knee. âThat girl, sheâs poetry in motion.â
âYouâre an idiot,â I said, standing up. I tried the next one.
âWhat are you writing, poetry?â I asked.
âNot yet. Itâs sort of a manifesto. I think the poetry of today is corrupt, bankrupt, meaninglessâthereâs nothing of significance left for it. We need a hard, merciless, thrusting poetry that wonât take no for an answer.â He fidgeted nervously with an empty sugar packet. I tried the next one.
âIs that poetry?â I asked.
âItâs a letter,â the man said. âMy girlfriend wonât marry me. I really love her, but she thinks because Iâm already married, itâs not worth it for her. Well, Iâm a man who can think for himself, and in this case I think I have rights. Let me show you.â He began to dig around in his book bag, and I moved on to the fourth and last.
âAre you writing poetry?â I asked.
âYes,â he said. âHereâs my latest poem. âDogs are Shakespearean, children are strangersâââ
âThatâs Delmore Schwartz.â
âYou know it?â He looked disappointed. âOkay, how aboutthis. âThe heavy bear accompanies me, honey covers his face, awkwardly staggering aroundâââ
âAre all your poems translations of Delmore Schwartz?â
âNo, right now, looking at your friend, I have an idea for a poem based on Ginsbergâs âSong.ââ He began scribbling in the notebook. âThe weight of the world is love,â I saw over his shoulder.
I went back to Osnat and Mary. Osnat was trying to talk Mary into being tested for HIV.
Thousands of miles off, the only Israeli in Eastern Bhutan was toiling uphill on foot, humming tunelessly and thinking about Piano Sonatas nos. 21, 23, and 26. At my suggestion he was carrying a plastic bag filled with water from the radiatorâotherwise he would have died. Iâd located a llama-trekking party from Portland, Oregon, just 250 miles away over the Nepalese border, and with the GPS ripped out of the Rover after the axle broke, he was making good time. Only once did he admit weakness. âIâm getting a hole in my sneaker,â he said ruefully, and my heart went out to my brave darling.
CHAPTER 6
DANIEL DERONDA IS A SORT OF young, beautiful Jewish Mr. Pickwick. Critics actually say, âThis novel is unrealistic because no one is as adorable as