long afternoons of summer the constant mourning doves called back and forth. She moved; once more the rubber soles hissed on the gnawed boards.
“I reckon it’s about time to get dinner started,” she said.
“How’s Henry this morning, Mrs Armstid?” Ratliff said. She looked at him, pausing, the blank eyes waking for an instant.
“He’s resting, I thank you kindly,” she said. Then the eyes died again and she moved again. Snopes rose from the chair, closing his knife with his thumb and brushing a litter of minute shavings from his lap.
“Wait a minute,” he said. Mrs Armstid paused again, half-turning, though still not looking at Snopes nor at any of them. Because she cant possibly actually believe it, Ratliff told himself. Anymore than I do. Snopes entered the store, the clerk, motionless again, his back and rump pressed against the door-facing as though waiting to start rubbing again, watched him enter, his head turning as the other passed him like the head of an owl, the little eyes blinking rapidly now. Jody Varner came up the road on his horse. He did not pass but instead turned in beside the store, toward the mulberry tree behind it where he was in the habit of hitching his horse. A wagon came up the road, creaking past. The man driving it lifted his hand; one or two of the men on the gallery lifted theirs in response. The wagon went on. Mrs Armstid looked after it. Snopes came out of the door, carrying a small striped paper bag and approached Mrs Armstid. “Here,” he said. Her hand turned just enough to receive it. “A little sweetening for the chaps,” he said. His other hand was already in his pocket, and as he turned back to the chair, he drew something from his pocket and handed it to the clerk, who took it. It was a five-cent piece. He sat down in the chair and tilted it back against the door again. He now had the knife in his hand again, already open. He turned his head slightly and spat again, neatly past the gray garment, into the road. The little boy was watching the sack in Mrs Armstid’s hand. Then she seemed to discover it also, rousing.
“You’re right kind,” she said. She rolled the sack into the apron, the little boy’s unwinking gaze fixed upon the lump her hands made beneath the cloth. She moved again. “I reckon I better get on and help with dinner,” she said. She descended the steps, though as soon as she reached the level earth and began to retreat, the gray folds of the garment once more lost all inference and intimation of locomotion, so that she seemed to progress without motion like a figure on a retreating and diminishing float; a gray and blasted tree-trunk moving, somehow intact and upright, upon an unhurried flood. The clerk in the doorway cackled suddenly, explosively, chortling. He slapped his thigh.
“By God,” he said, “you cant beat him.”
Jody Varner, entering the store from the rear, paused in midstride like a pointing bird-dog. Then, on tiptoe, in complete silence and with astonishing speed, he darted behind the counter and sped up the gloomy tunnel, at the end of which a hulking, bear-shaped figure stooped, its entire head and shoulders wedged into the glass case which contained the needles and thread and snuff and tobacco and the stale gaudy candy. He snatched the boy savagely and viciously out; the boy gave a choked cry and struggled flabbily, cramming a final handful of something into his mouth, chewing. But he ceased to struggle almost at once and became slack and inert save for his jaws. Varner dragged him around the counter as the clerk entered, seemed to bounce suddenly into the store with a sort of alert concern. “You, Saint Elmo!” he said.
“Aint I told you and told you to keep him out of here?” Varner demanded, shaking the boy. “He’s damn near eaten that candy-case clean. Stand up!” The boy hung like a half-filled sack from Varner’s hand, chewing with a kind of fatalistic desperation, the eyes shut tight in the vast
Darrin Zeer, Cindy Luu (illustrator)