is all over.
RANK
(
Whispers to
HELMER) You mustnât contradict her.
HELMER
(
Taking her in his arms
.) The child shall have her way. But tomorrow night, after you have dancedâ
NORA
Then you will be free. (
The
MAID
appears in the doorway to the right
.)
MAID
Dinner is served, maâam.
NORA
We will have champagne, Helen.
MAID
Very good, maâam. (
Exit
.)
HELMER
Hullo!âare we going to have a banquet?
NORA
Yes, a champagne banquet until the small hours. (
Calls out
.) And a few macaroons, Helenâlots, just for once!
HELMER
Come, come, donât be so wild and nervous. Be my own little skylark, as you used.
NORA
Yes, dear, I will. But go in now and you too, Doctor Rank. Christine, you must help me to do up my hair.
Rank.
(
Whispers to
HELMER
as they go out.
) I suppose there is nothingâshe is not expecting anything?
HELMER
Far from it, my dear fellow; it is simply nothing more than this childish nervousness I was telling you of. (
They go into the right-hand room
.)
NORA
Well!
MRS. LINDE
Gone out of town.
NORA
I could tell from your face.
MRS. LINDE
He is coming home tomorrow evening. I wrote a note for him.
NORA
You should have let it alone; you must prevent nothing. After all, it is splendid to be waiting for a wonderful thing to happen.
MRS. LINDE
What is it that you are waiting for?
NORA
Oh, you wouldnât understand. Go in to them, I will come in a moment. (MRS. LINDE
goes into the dining room
. NORA
stands still for a little while, as if to compose herself. Then she looks at her watch
.) Five oâclock. Seven hours until midnight; and then four-and-twenty hours until the next midnight. Then the Tarantella will be over. Twenty-four and seven? Thirty-one hours to live.
HELMER
(
From the doorway on the right
.) Whereâs my little skylark?
NORA
(
Going to him with her arms outstretched
.) Here she is!
Act III
Scene
The same scene. The table has been placed in the middle of the stage, with chairs around it. A lamp is burning on the table. The door into the hall stands open. Dance music is heard in the room above.
MRS. LINDE
is sitting at the table idly turning over the leaves of a book; she tries to read, but does not seem able to collect her thoughts. Every now and then she listens intently for a sound at the outer door
.)
MRS. LINDE
(
Looking at her watch
.) Not yetâand the time is nearly up. If only he does not. . . . (
Listens again
.) Ah, there he is. (
Goes into the hall and opens the outer door carefully. Light footsteps are heard on the stairs. She whispers
.) Come in. There is no one here.
KROGSTAD
(
In the doorway
.) I found a note from you at home. What does this mean?
MRS. LINDE
It is absolutely necessary that I should have a talk with you.
KROGSTAD
Really? And is it absolutely necessary that it should be here?
MRS. LINDE
It is impossible where I live; there is no private entrance to my rooms. Come in; we are quite alone. The maid is asleep, and the Helmers are at the dance upstairs.
KROGSTAD
(
Coming into the room
.) Are the Helmers really at a dance tonight?
MRS. LINDE
Yes, why not?
KROGSTAD
Certainlyâwhy not?
MRS. LINDE
Now, Nils, let us have a talk.
KROGSTAD
Can we two have anything to talk about?
MRS. LINDE
We have a great deal to talk about.
KROGSTAD
I shouldnât have thought so.
MRS. LINDE
No, you have never properly understood me.
KROGSTAD
Was there anything else to understand except what was obvious to all the worldâa heartless woman jilts a man when a more lucrative chance turns up?
MRS. LINDE
Do you believe I am as absolutely heartless as all that? And do you believe that I did it with a light heart?
KROGSTAD
Didnât you?
MRS. LINDE
Nils, did you really think that?
KROGSTAD
If it were as you say, why did you write to me as you did at the time?
MRS. LINDE
I could do nothing else. As I had to break with you, it was my duty also to put an end to all that you felt
Mercedes Keyes, Lawrence James