listeners accede without protest to the old manâs command. The gambler, who always has what is needed ready at hand, distributes walking equipment. The clothing is airy and the shoes, too, are light. The odd part of it is that on the four even the most ungainly garments acquire style, as though made to order for them. For all the disparity of their dress, its elegance enables them to form a group. The woman wears her headband like a tiara, the soldier his parka like a dress uniform, the gambler his dust coat like a robe of office. The last two load heavy knapsacks on each otherâs back, and instead of crumpling under the weight, they seem to grow, as though the extra weight were just what their shoulders needed.
The camper has been left behind deep in a shadowy thicket, where its slats gleam like a forgotten woodpile. The
forsaken spot is enlivened by a bird; its wispy legs are perched on a stone in the middle of the brook and its longer-than-body-length tail keeps bobbing up and down. Incessant, too, is the sound of the water, racing over the massive round stone, a dark, rhythmic pounding that pervades the general roar, a sonorous vibration as of a musical instrument, or the after-echo of a forgotten epic. The bullet holes in the ruined building are covered by spiderwebs sprinkled with mortar. From the bridge rises the vapor of thawing ice and snow; the planks creak. The place has the feel of a forbidden zone.
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The walkers did not cross the bridge but followed an old mule track along the river. We were heading downstream, but sometimes, when we looked to one side and the waves came fast, we seemed to be moving in the opposite direction, that is, upstream; in the end, the picture became so reversed that we were confusedâas at old Westerns, when the stagecoach wheels appear to be moving backward.
Our first stop was at the point where the river emerged from its valley and the bank on our side flattened out into a plain, while the opposite slope, though still steep, receded from the bank in a long arc, leaving room beside the water for a road, a railroad line, and finally fields, before turning into a long mountain chain paralleling the river at a distance.
Here, at the end of the defile, we crossed the river on a high footbridge so narrow that we had to proceed cautiously step by step. From then on, it was a different river, bathed in southern light, shallow, its water dispersing into rivulets between broad banks of gravel. Sparsely inhabited;
as far as the eye could see, only an occasional lone fisherman, none of whom so much as raised his head as we hove in sight.
When we came to the road on the other side, we saw why it was unused: it had long fallen into disrepair and had never been open to ordinary traffic; it had been specially built during the world war to carry troops and supplies to the front. Grass was growing in the cracked asphalt; whole bushes and small trees had taken root, and their tops had joined to form a leafy roof. We could have walked comfortably on this straight empty road, with an elastic ribbon of moss under our feet, but our leader motioned us to the railroad embankment that ran parallel to the road.
The railroad had not by any means fallen into disuse. Trains kept passing, those heading upriver gathering speed, those heading downriver slowing down, as though approaching a considerable cityâthough of such a city we saw no sign. In the trains moving away from the invisible city, the passengers were sitting still, while in those approaching the station, a jolt went through the cars from first to last, ushering in a general rising from seats, and there were also repeated scenes of conductors in seven-league boots racing through the corridors from back to front. After crossing the embankment through an opening shaped like a portal, we took a gently winding path up the mountain slope, wide enough to have permitted us to walk abreast. But all of a sudden our aged leader was in a
Carey Heywood, Yesenia Vargas
Paul Davids, Hollace Davids